It’s that time of year again, folks! There is a bit of a lull in new camera announcements, which gives us the chance to focus on what it is we’d really like to have. In my case, here are my ‘Dream specs’ for a D400. I think it is all very feasible and desirable for those interested in such a camera, though I do admit that many serious users and probably most pros have already moved to FX. One day, I may too, but for the moment, I think DX can offer some unique advantages and be a lot more portable to boot. Also, with pro spec lenses like the new Sigma 18-35mm f/1.8 being released, there is no reason why the ‘crop formats’ shouldn’t have an equally serious future.
Here they are-
- New 24mp sensor with faster readout, better dynamic range and no AA filter. A step up from the D7100, in other words, to justify getting a better camera. Too many cameras these days seem to outperform their sensors, or occasionally visa-versa. A balance would get this right, though I’ll add I’d be pretty happy just with the advances of the D7100, though I’d consider it a bit short-sighted to release it like that. This should be a camera that lasts and impresses, like the D800 big brother.
- Better video (1080p at 60fps and higher bit-rates), and video AF, perhaps with on-sensor phase-detect. This would improve live-view, even if it falls short of that on the mirrorless cameras. With focus-peaking, we’d finally have an accessible way to MF on a DX DSLR. We’d have it now, not when Nikon’s mirrorless APS-C range finally comes out and scales to this type of body, which in mirrorless terms I’d compare to the Panasonic GH3.
- I’d also like a tilting screen, which would be especially good if the live view is improved. I use the one on my D5100 a lot and in my view the ‘serious’ DSLRs suffer for its omission. It’s great not only for video, but especially for tripod work, or unusual, creative angles. Plus AF is not always so reliable at smaller apertures on high-density sensors. Why not help us MF like in the good old days, with a wonderful big screen?
- A new processor might be needed for all this, especially since we are dealing with 24mp of data, so perhaps Expeed 4?
- Since this is a generational camera, it may be time to really move on from the D300 AF and even that in the D800/D7100. Why not move to the next generation, perhaps in a manner linked with on-sensor PDAF? More focus points means better tracking and also, hopefully, more sophisticated face-detection, which comes in very handy on the smaller formats.
- Of course, this camera should have a large buffer, whatever a reasonable price can bear, but certainly offering at least D300S performance.
- Along with this, we should have around 8-9fps shooting speed. This should be a sports/wildlife compatible camera like the D4, an amateurs’ D4, if you will, but a semi-pro camera in it’s own right, just as the D300 was a poor man’s D3. Perhaps a grip will push it up a notch. The fear for FX sales may be unfounded now that so may pro sports photographers have already gone that route. They can be offered a D4S/X.
- The body should be like the D300S/D800, with a choice of CF or SD cards (or perhaps even the new XQD cards). As long as one slot caters for CF many pros will be happy, even if SD has moved very far, it’s all about legacy support for something that is incidentally still very much alive and with great room to grow. It should have all the pro controls and ergonomics, there isn’t much that really needs changing there. If they can find a way to make it a little lighter too, the way the D800 is vs. the D700, that would be nice progress, but I realise I can’t really hold my cake and eat it (or something like that)
- There should be an option for film and a built-in scanner for the ultimate in image versatility and backwards compatibility. (Just kidding!!)
- Do we really need a ‘10’? Well, hopefully with the new processor, there will be even better in-camera lens correction, with the option to have this effect the Raw file. I’m talking even compensating for lens sharpness issues, which will of course be more of an issue on the new sensors than ever before. It will be interesting to see what can be done on the software side, even on-camera, which could help the project of giving us lighter lenses with better abilities, their aberrations corrected digitally as well as optically where possible.
- I know I’m dreaming, but I’d love in-camera shake-reduction, which would bring such benefits to primes and even video use. Now I know many will chime in and say on-lens is better and I’m not denying that, when it exits. Or they’ll say it’s no substitute for cleaner high ISO to freeze the action, which is also true, though to my mind they can compliment each other. But in many cases a lens has no VR and you want to conserve dynamic range by shooting at native ISO, which will always be best, even if it takes a few years to look back and realise the noise reduction wasn’t do good after all. *1
- I’d ideally like more processing to be available on the camera. The current presets are either boring (landscape/vivid, etc), or too extreme (‘colour painting’ etc), giving a toy-like quality. Why not have some film simulation modes onboard, to reduce the need to process off-camera, after the event? Also, far better and configurable HDR, even giving a 32bit HDR file (or a I’d settle for a raw file, or 16bit Tiff). I love HDR but am getting pretty tired of bracketing, filling my hard drive with the files and then sitting down to do it later. I’d like some way to ‘compress’ the unnecessary data and the camera is a great place to start.
- While we are in the realm of exotic possibilities, why not have in-camera panorama and even multi-capture modes that shift the sensor slightly for extreme resolutions? Or in-camera focus-stacking, for macros? Something like that found on medium format backs. Again, you can do that after the event, but it means more time, more data and less fun. Such features, which suit today’s fast digital cameras to a tee (especially in good light, where we are talking of small fractions of a second for each shot). It may be exotic, but if it is the next level of processing, why not?
- It’s taken a while to come to DSLRs and arguably is only really covered by the 6D and a few other Canon cameras, but how about built-in Wi-fi, GPS and a capacitive touch screen to do your editing, AF points and get to all those settings? Doesn’t sound pro? Neither did colour film or autofocus at one point, but now no pro can live without them!
- Finally, how about a silent, electronic shutter, preferably with super-fast flash synch? Perhaps it might only work at lower frame-rates, or with reduced AF features, but it would be a very neat feature to have and I’m sure invaluable for many pros.
I could go on, but I think all this is more than enough to justify an upgrade, the ‘d400’ 8, or D9000 designation and to make a keeper camera for the next 5 years. It goes without saying that new lenses would be nice, but if Nikon doesn’t step up to the plate, we can already see Sigma, Tamron and Tokina making efforts, though of course I’d like Nikon to do so. I’m just not sure they will get around to it, what with their FX and 1-Series commitments. One thing they should definitely do is offer a fixed f/4 update to the 16-85mm VR and one, or some new wide DX primes, even if they’re big but light (due to the registration distance). Relying on other companies to make your lenses for you doesn’t sound like a particularly good strategy.
Having a removable IR blocking filter like the Sigma SD1 has would be wonderful, but I concede it’s a feature only a minority of people would even understand the use for. If you could have a removable Bayer filter to convert it to a black and white camera at will, that really would be amazing, but that would perhaps even be impossible with today’s technologies. Beyond that, multilayered sensors like Sigma’s Foveon-Merril would be a great advance, but here we are talking many years, perhaps even a decade.
Some will still say, well, with the full frame for pros and the already excellently specced D7100, isn’t it a bit unrealistic to want more from DX? Well, maybe so, but there are still pro DX lenses being made, of especial interest being the newer Sigmas- the 18-35mm f/1.8 zoom, which is unprecedented and also their 30mm f/1.4, which if it is anything like their incredible full-frame 35mm edition, could be an absolutely stellar lens.
Don’t forget also the potential offered by the ‘speed-booster’ technology, which promises to make full-frame lenses brighter, sharper and wider on a smaller sensor. Without AF, I’m not sure it will be all that useful for a lot of people, but if they can get that together, it will solve a lot of the problems that brought people ‘back’ to full-frame In the first place. I say ‘back’, as it’s still the heavier, less convenient and most expensive format. This may be something pros may be more willing to deal with than others not being paid to carry the gear around. Call me a light-weight, but I’m not sure it’s something I really miss!
*1 I really believe we should be free to shoot handheld and an intelligent on-sensor VR could help make the micro-adjustments possible to make these new high-density sensors more usable. Being stuck on a tripod for good results just isn’t a future that makes any sense. On-lens VR can also compromise lens design. People can always switch it off and use VR on the longer lenses where it works so well. Financially speaking, I’m pretty sure such lenses will still sell, if that’s the real concern holding up development.